Twitter Review: Let Me in
Against its Swede forebear, ‘Let Me In’ accumulates minor changes that make it too insistent. Fidelity is a pleasant surprise but not enough
Against its Swede forebear, ‘Let Me In’ accumulates minor changes that make it too insistent. Fidelity is a pleasant surprise but not enough
It’s messy and too telegraphed, but ‘Thirst’ employs vampirism probingly, is anchored by two great performances, and is disgustingly funny.
Stripping the vampire flick of baroque affectations, del Toro’s ‘Cronos’ is simple but rich, concerned with addiction, corruption, and aging
‘Let the Right One in’ – Tonally coy, it expands on Romero’s ‘Martin,’ crosses it with Poe’s ‘William Wilson,’ and haunts retrospectively.
I have no problem
choosing films of morbid love
from our Netflix queue.
Film Experience Blog is hosting a Vampire Blog-a-Thon just in time for Halloween. I was delighted to see that three bloggers saw fit to write about George A. Romero’s criminally overlooked Martin.
Werner Herzog uses all the trappings of the story of Count Drac-oooo-lah in Nosferatu the Vampyre but doesn’t approach it as a tale of terror. Instead, he turns Bram Stoker’s basic plot (and F.W. Murnau’s silent classic) into a contemplative study of sacrifice and tragedy.