Twitter Review: Battlestar Galactica Season 3
‘BSG S3’ starts bracingly and ends depressingly shittily. New Caprica gave me hope; ‘Watchtower’ felt like 6 hours of agony. Vexingly uneven
‘BSG S3’ starts bracingly and ends depressingly shittily. New Caprica gave me hope; ‘Watchtower’ felt like 6 hours of agony. Vexingly uneven
The narrator of The Little Stranger would tell you that this tale is about grave misfortune, not a haunted house. His name is Dr. Faraday, and in Sarah Waters’ agonizingly patient gothic novel set in post-World War II Britain, he has a dismissal available for any odd happening at Hundreds Hall. You’re tired. It’s an old house. Those must have been there for years. He seems the opposite of the classic unreliable narrator – he’s too reliable, and at points in the book he so tediously rules out the supernatural that you want some apparition to shove a hot poker up his ass. If this sounds like a criticism, it’s a mild one, as this is surely the effect that Waters sought, anatomical specificity aside. Faraday is so sane and logical that he has no credibility in the context of this story.
Polanski’s obtuse ‘Repulsion’ mines fear of rape, men, abandonment. 1 great shock & effective spatial horror, but male POV leers and muddles
‘A Tale of 2 Sisters’ undermines reality to the extent that it’s hard to care. Creepy and full of potent symbolism, I’m baffled not scared.
It is a car salesman that carries writer/director Kirt Gunn’s Lovely by Surprise on his shoulders until the movie blossoms. To his credit, Bob doesn’t actually sell cars. In the automobile-sales process, he dispenses hackneyed life advice, admonishing his customers that they need to spend more time with their families, and do they really want to part with that old clunker, filled as it is with memories? He is played with sincerity by Reg Rogers, in the sense that Bob means everything he says. But there’s a fakeness, a performance, about Bob – a smiling, cheery devil-may-care mask that makes him both inscrutable and intensely compelling. A genuinely independent movie, Lovely by Surprise hit DVD this week after playing the festival circuit, and what’s surprising is that it’s as successful as it is.
For 2 hours, ‘TAOJJBTCRF’ seems to wander enigmatically with a sharp eye. But its final 30 minutes pierce as themes coalesce novelistically.
The consensus apex of the Star Trek films, ‘Khan’ opens as slowly as its forebear and only eclipses it when the Genesis and Spock plots meet
Once you get past the torpid first hour, 1979’s ‘Star Trek’ is shockingly compelling – a leisurely puzzle that presages ‘BSG’ and its themes
‘Up’ made me cry at least twice, but its well-supported message undercut its admittedly spectacular spectacle. That’s its point and problem.
‘Star Trek’ – Brisk, elegant, and thin, Abrams’ reboot draws its gravity from Leonard Nimoy, funny and illogically emotional. Pegg is a hoot