Twitter Review: [Rec]
Unlike most monster movies, ‘[Rec]’ builds horror along with chaos. Near the end, it tells when it should hint, but it’s invisibly skillful.
Unlike most monster movies, ‘[Rec]’ builds horror along with chaos. Near the end, it tells when it should hint, but it’s invisibly skillful.
‘Treme’ S1 starts slowly, has some tedious characters, and is too proudly authentic, but Simon’s team remains expert at resonant microcosms.
‘Adoration’ is a dispiriting Egoyan misfire, a too-blunt but intriguingly indirect meditation on terrorism that then excavates dull motives.
Aside from canonizing its subject – especially in the excruciating bookends – ‘Charlie Wilson’s War’ is crackling, sharp, and outraged fun
‘Justified’ S1: Sly performances, character ambiguity, sharply natural dialogue, and propulsive violence elevate this backwoods pulp fiction
‘The Messenger’ is unerring on its own dramatic terms but misses an opportunity by offering character over punishing war-death notifications
Lars von Trier’s Antichrist in 560 characters over four Tweets: descriptive, positive, a turning point, and ultimately (in both the “finally” and “fundamentally” senses of the word) negative.
‘Timecrimes’ is compact and skillful, but it’s all plot and no character. ‘Primer’ is similar but far superior
The awaited Jacob/MIB episode of ‘Lost’ was penned by series bigwigs but merely underlined already-obvious moral relativism. Gallingly dull.
‘(500) Days of Summer’ has a good hook and nails relationship details, but it’s too cute and frustratingly undisciplined and self-satisfied.