I doubt Anton Chigurh (who will be referenced in every Culture Snob entry from this point forward) would appreciate the analogy, but No Country for Old Men looks like a perennial bridesmaid in the Box Office Power Rankings.
In its opening weekend, The Golden Compass made more than twice as much money as any of its competitors, yet in the great equalizer that is the Box Office Power Rankings, it still ended up in third place, and barely beat out This Christmas.
Behold the power of the Box Office Power Rankings! Able to turn the Coen brothers’ box-office weakling – No Country for Old Men, 10th in revenue this past weekend – into the maid of honor. (And, yes, I recognize that I’ve crafted a metaphoric non sequitur.) Enchanted still tops our rankings, but No Country was first in three of our four criteria, including per-theater average.
Things are awfully quiet around here. Too quiet. And that can only mean one thing: Culture Snob is busy preparing for the “Short-Film Week” blog-a-thon, which starts on Sunday, December 2, and runs for seven days. Or it could mean that I’ve been incredibly lazy this week.
Honestly and truly, I bear no antipathy toward Robert Zemeckis, although I wouldn’t want to sit through many of his movies, and even those I like are problematic at best. But I hoped fervently that something would prevent his Beowulf from leading the Box Office Power Rankings this week.
Since unveiling the Box Office Power Rankings in May, it’s become apparent that the Culture Snob system does what it was intended to do – expose crappy popular movies as the gold-plated turds they are and reward good movies that might not have as much marketing muscle behind them. But it’s still largely a disheartening experience, because it actually highlights the problems of the marketplace rather than correcting them.
Ridley Scott’s American Gangster easily won this week’s Box Office Power Rankings title, as what was anticipated to be its most serious competition (Bee Movie) did worse with both audiences and critics.
What the hell are Dane Cook and Juliette Binoche doing in the same movie? She, like Virginia Madsen, is commonly luminous, while he is merely overexposed. The movie they share, Dan in Real Life, tops this week’s Box Office Power Rankings, while the weekend’s other major release, Saw IV, rode wretched reviews to a fifth-place finish.
I warned you last week to expect wackiness in this edition of the Box Office Power Rankings, and for once, I don’t disappoint.
It was a perfect storm in this week’s Box Office Power Rankings. The audience magnet of Tyler Perry met the critical favor accorded Michael Clayton met the in-between-on-both-measures We Own the Night, so we have a three-way tie for this past weekend’s title.
