Lady in the Water: Drunken Commentary Track
Why oh why did I assent to River Cities’ Reader film critic Mike Schulz’s inebriated suggestion that we record a commentary track for Lady in the Water?
Why oh why did I assent to River Cities’ Reader film critic Mike Schulz’s inebriated suggestion that we record a commentary track for Lady in the Water?
The reasons for recording (with Bride of Culture Snob) this commentary track to The Prestige are many and simple:
This commentary track deals with a handful of themes: the blunt use of color contrasted with the almost tangential way the movie deals with its ostensible theme of liberty; the use of visual and aural cues to indicate the subjective nature of the film; Julie’s progression from isolation to active engagement with the world; and the relationship between the concept of “freedom” and Kieslowski’s obvious interest in responsibility. Plus, I call Juliette Binoche a “two-faced bitch.” How can you resist?
Neil Marshall’s The Descent approaches being a perfect terror movie. And because terror is unique to cinema among art forms – it doesn’t translate well to the page because the narrative has to slow down for the reader, and it doesn’t translate at all to any other medium – The Descent approaches being a perfect movie, period.
In part three of my River Roots Live trilogy, I present the September 22, 2006, performance of guitar hero Junior Brown.
My recording of Alejandro Escovedo’s one-hour set at River Roots Live in Davenport, Iowa, on Saturday, September 23, 2006.
Pretty self-explanatory: Martin Sexton’s one-hour set at River Roots Live in Davenport, Iowa, on Friday, September 22, 2006.
Werner Herzog once ate his shoe, so why wouldn’t he chase the Loch Ness monster? What’s a little harder to swallow is that the famously idiosyncratic German director – who pulled a boat over a mountain for 1982’s Fitzcarraldo – would team up with Zak Penn, a Hollywood hack who has written such gems as PCU, Inspector Gadget, and Elektra. Yet that’s what happens in Incident at Loch Ness, a 2004 movie that documents their collaboration.
After choosing I ♥ Huckabees for the second in the Culture Snob “Drunken Commentary Track” series, I can confirm that my thoughts on the movie are less than cogent. You, dear reader/listener, can now hear long, awkward silences and extended digressions as Culture Snob, Bride of Culture Snob, Bad Dog Ginger, and River Cities’ Reader film critic Mike Schulz try to say something of value about the movie. Click to download the audio file (mp3 format, roughly 24 megabytes, 107 minutes), which is intended to be listened to while watching the movie.
A real-time discussion of Billy Ray’s 2003 movie about New Republic faker Stephen Glass (Hayden Christensen) and his editor (Peter Sarsgaard). This commentary track is meant to be listened to while watching the movie. The audio file (mp3 format, roughly 16 megabytes, 94 minutes) features Culture Snob joined by River Cities’ Reader film critic Mike Schulz, with important contributions from Bride of Culture Snob, and at least one interjection from Bad Dog Ginger. Click to download.