Last Words on Crash
Final thoughts on Crash at the Oscars.
Final thoughts on Crash at the Oscars.
The hand-wringing going on right now about the state of Hollywood and the Oscars is a bizarre mix of long-overdue self-awareness and stubborn self-delusion. Observers have noted with much shock that people aren’t going to movies that much and that none of the Oscar nominees is a genuinely popular movie. But these are long-standing trends.
What the hell is happening with the delayed polarization that Crash has engendered? Nobody got terribly worked up about Paul Haggis’ sincere, overstuffed race-relations drama when it was released in April. But as the buzz started building that Crash might (gasp!) win the Best Picture Oscar, indignation showed its ugly face.
If movie critics chose Oscar nominations, then, here are two possibilities of what they might look like.
I’ve never put much credence in the Academy Awards, but this year’s nominees represent a particularly strange trend. Three biopics among the Best Picture nominees? I’m a little surprised that Sideways and Million Dollar Baby snuck in, with Kinsey, Alexander, Beyond the Sea, and The Motorcycle Diaries also in the running.