Devouring the Oscars: Best Animated Short Film

maisoncube.jpgI’ll start with an admonition: You have no reason not to have a horse in the short-film categories for the Oscars. These should be your favorite races, because they require relatively small investments of time. If you see and hate The Reader, you’ve lost 124 minutes of your life. If you see and hate Lavatory – Lovestory, you’re out 10 minutes. And the chances of you hating Lavatory – Lovestory are much smaller. Alas, each has about the same chance of winning the top prize in its category.

Box Office Power Rankings: December 12-14, 2008

delgo.jpgIf you’ve heard of the animated Delgo, it’s most likely for its infamy. Opening this past weekend in 2,160 theaters, it barely grossed $500,000. Its per-theater revenue was $237, meaning that with an average ticket price of $7 and five screenings per day, a little more than two people showed up each time the movie was exhibited. Box Office Mojo notes that Delgo had the worst wide opening since at least 1982. The chart indicates that if you open in 2,000 or or more theaters, $2 million in ticket sales are pretty much guaranteed. So something went horribly wrong with Delgo.

Author! Author!

It probably sounds like faint praise to say The Quiet American is a good story well told, but it’s certainly not intended that way. I mean that the movie is a solid, unpretentious, straightforward, compelling narrative that is skillfully written, directed, designed, filmed, and acted. It won’t knock you over, but you can’t find much fault with it. Plus: The Hours

My Movie Life

The first movie I remember seeing was Bambi, probably when I was about four years old. We went swimming that day, and there was a thunderstorm, and the mental image the day conjures is me standing in the baby pool with nobody else around. I have no idea if the memory is accurate.

Eat the Rich

Is it any wonder the dead are fed up and primed for revolt? Is it any surprise that writer/director George A. Romero is cheering them on in Land of the Dead? And is it so hard to see these zombies as a blunt allegory for racial minorities, the impoverished, the politically disenfranchised? On the final question, apparently so.

Truth and Consequences

If you think the subject of Atom Egoyan’s Ararat is the genocide in 1915 of 1.5 million Armenians by Turks (as most critics seem to believe), you’ll find the movie a confused mess. But reducing the film to that summary is akin to saying the director’s The Sweet Hereafter was about a bus accident, or that his Exotica was about strippers.

The Psychopathic Chicken (and Other Lessons of Evolution)

davidsloanwilson.jpgIn the fifth chapter of his 2007 book Evolution for Everyone: How Darwin’s Theory Can Change the Way We Think About Our Lives, David Sloan Wilson writes: “It turns out that something very similar to my desert-island thought experiment has been performed on chickens by a poultry scientist named William Muir.” That probably sounds odd. It will likely sound even odder when you find out what the desert-island thought experiment is: a set of three hypothetical situations to explore human morality through the lens of evolution.

Shattered Glass: The Inaugural Drunken Commentary Track

A real-time discussion of Billy Ray’s 2003 movie about New Republic faker Stephen Glass (Hayden Christensen) and his editor (Peter Sarsgaard). This commentary track is meant to be listened to while watching the movie. The audio file (mp3 format, roughly 16 megabytes, 94 minutes) features Culture Snob joined by River Cities’ Reader film critic Mike Schulz, with important contributions from Bride of Culture Snob, and at least one interjection from Bad Dog Ginger. Click to download.