Sometimes the biggest gift a film can give us is to force us back into the real world rather than letting us escape. The German movie Requiem is about demonic possession, yet in spite of its subject matter, it’s a serious, wrenching piece. And because of its subject matter, it’s all the more effective, as the audience isn’t expecting to be challenged.
In the week that marks the fourth anniversary of Culture Snob, Adam Ross at DVD Panache has featured this site as his Friday Screen Test. It’s a great opportunity to indulge your insatiable curiosity about me.
The rats still rule in Culture Snob’s Box Office Power Rankings, with the critical acclaim for Pixar’s and Disney’s Ratatouille easily overcoming the box-office power of (and surprisingly un-bad reviews for) Transformers. Michael Bay’s robot movie landed in third place, also behind Live Free or Die Hard.
In the opening of 28 Weeks Later, Don (Robert Carlyle) faces a dilemma: He can leave his wife to die and run like hell on the off chance that he might outrun the “infected,” or he can stay with her and face a gruesome end. He runs like hell, and looks back to see his wife attacked. This is the movie writ small, laying the groundwork for more impossible choices.
Edward Copeland at Edward Copeland on Film has tagged me, which must mean he doesn’t like me. Join the club, buddy! People who have been tagged are required to reveal eight facts about themselves and to post and obey the following rules, which I’m copying from Edward’s site and to which I’ll add my own anal-retentive commentary, because somebody really needs to revise them for clarity and elegance.
We have our first perfect score in Culture Snob’s Box Office Power Rankings. Pixar’s and Disney’s Ratatouille (directed and co-written by Brad Bird) was certainly expected to top the rankings, but this is a bit of a surprise.
Why? Because to achieve the maximum score of 40, a movie needs to top the box office (in this case, over Live Free Or Die Hard); perform better per-screen than both its “big” competitors (Live Free Or Die Hard again) and limited-release prestige pictures (Sicko); and score better with critics than everything else in the box-office top ten (particularly Sicko and Knocked Up).
That’s a tall order, but the computer-animated rats were up to the task.
Continue reading for the full rankings and the methodology.
In an interview, pedal-steel guitarist Robert Randolph once suggested that somebody would come along and be the instrument’s Jeff Beck or Jimi Hendrix.
When I asked him recently where that put him in the pedal steel’s development, the singer/songwriter/guitarist appeared to backtrack a little. “Somebody has to put me there,” he said of the class of guitar revolutionaries that includes Hendrix. “I wouldn’t put myself there.”
But based on his own criteria, that class is probably where Randolph belongs.
My predictive powers have again proved to be less than stellar. (Anxiety over imminent surgery is my excuse.)
Last week, I predicted that a steady Ocean’s Thirteen would displace Knocked Up at the top of Culture Snob’s Box Office Power Rankings.
Not only did that not happen, but 1408 – an adaptation of a Stephen King story – came out of nowhere to tie Knocked Up for the top spot in this week’s rankings. It placed second to Evan Almighty in box office and per-screen average and was shockingly well-received by critics.
I won’t get burned again. This weekend, I’m taking the easy money and saying that Pixar’s Ratatouille will top our rankings, barring stellar notices for Live Free or Die Hard. See how I hedged?
Continue reading for the full rankings and the methodology.
Knocked Up once again triumphed in Culture Snob’s Box Office Power Rankings, with no serious threat posed by Fantastic Four (fourth, of course!) or Nancy Drew (sixth).
Have you calmed down yet? Are you over the orgasmic delight you felt at the way David Chase defied all predictions about the end of his beloved series, The Sopranos? Have you recovered from your rage about ambiguity, a lack of closure, and Journey? Good. Now let’s clear a few things up.
