Box Office Power Rankings: July 4-13, 2008

pixar.jpgWith surprisingly strong reviews, Hellboy II: The Golden Army topped the most recent Box Office Power Rankings, unseating WALL•E after a two-week reign. Guillermo Del Toro’s sequel fared better with critics than its forebear, and it will be interesting to see how The Dark Knight fits into the Box Office Power Rankings picture with three (and possibly four) top-10 competitors at 72 or above on Rotten Tomatoes and 64 or higher on Metacritic.

Postscript: The Self-Involvement Blog-a-thon

self-involvement.jpgThe Self-Involvement Blog-a-thon ended yesterday, and while participation was … selective, I couldn’t be happier with the submissions. My own writing aside, the blog-a-thon generated 14 15 new essays (as of July 15) and gave new life to a handful of others. More importantly, the work was often searching, naked, funny, touching, real, and resonant.

A Letter to My Daughter

drive-in.jpgDearest Emily, Right now, your primary activities are eating, reaching, sleeping, pooping, laughing, peeing, bouncing, crying, sitting up, and spitting up, but before I know it you’ll be running around and saying all the nasty words you’ve learned from your parents. And before we get too wrapped up in soccer practice and homework, I want to ask a favor: Each year on my birthday, I want my present from you to be sitting with me and your mother and watching a movie, and talking about it afterward.

Culture Snob, by the Numbers

To mark the fifth birthday of Culture Snob (and the second day of the Self-Involvement Blog-a-thon), some raw data and some calculations: In five years, Culture Snob has produced 514 entries, 36 polls, and 17 commentary tracks – nine full-movie commentaries and eight of the five-minute variety. I have written roughly 450,000 words for the site – an average of about 250 a day, or enough to fill 1,800 double-spaced typed pages over the site’s life.

Reconstructing a Life

For many years, I’ve said honestly that I have no idea what trigger pushed me from being an ardent consumer of movies to a film lover. Alternatively (and ultimately less truthfully), I’ve said that there was no specific movie/incident, instead placing the transformation some time in the early 1990s. Occasionally, I’ve credited seeing Fearless in fall 1993, and the connection between Peter Weir’s movie and my father’s death. The vagueness of my answers has long bothered me, but I didn’t do much about it. Watching the new Criterion release of Before the Rain was epiphanic, though: I recognized that the movie was a critical event for me.