Movie Critics Suck: Exhibit A
In the magazine Cinema Scope, David Bordwell demonstrates how a lack of specific examples undermines a potentially intriguing argument.
In the magazine Cinema Scope, David Bordwell demonstrates how a lack of specific examples undermines a potentially intriguing argument.
We’ve been producing Culture Snob for more than four years now, and I’ve come to a sad realization: I’m tired of movies.
Writer/director Rian Johnson gives Star Wars fans just about everything they could want in The Last Jedi, assuming they didn’t require it to follow the story beats, narrative cleanliness, and relatively consistent tone of The Empire Strikes Back. That, of course, means that Johnson has given a large number of fans what they didn’t want.
At the Too Many Projects Film Club, Jeremy Bushnell will host the Production Design Blog-a-thon from May 19 through 25.
It’s a fantastic idea.
I’m late to the party as usual, but this bellyache looks like it’s going to stick around for a while: Paid movie critics are a dying breed! The horror! The horror! I can’t get worked up too much.
This site (founded in July 2003) is where I write (and sometimes talk) about popular (and not-so-popular) culture, particularly movies, in a way that’s meaningful and satisfying to me. If you find it enjoyable or enlightening, all the better. My hope is that what’s written here will prompt readers to look at the media products …
The Netflix Rolling Roadshow is doubtlessly a brilliant piece of marketing, but the core concept celebrates the sense of place that movies can conjure or capture. But none of this summer’s selections can match the inspiration behind the showing of Field of Dreams this past Friday at Left and Center Field of Dreams.
These are things that just ain’t happening for the Self-Involvement Blog-a-thon, for reasons of time, energy, and tone. Feel free to steal an idea – the blog-a-thon runs until Sunday, and we’re not much for deadlines. Or beg me to complete one in particular.
With Monster, writer/director Patty Jenkins has fashioned a story of insistent, persistent desperation that is so fully embodied by Charlize Theron that I had a hard time believing the movie’s politics and psychology were so facile.