Twitter Review: Where the Wild Things Are
Saddled with too much emotional baggage, the great-looking ‘Where the Wild Things Are’ is nearly joyless but in its goodbyes finds resonance
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Twitter Review: Masters of Horror: Imprint
Blocked in the U.S., Miike’s ‘Masters of Horror’ episode is primal and fascinatingly transgressive, but the acting might be most horrifying.
Twitter Review: The House of the Devil
Retro horror ‘House of the Devil’ is so patient and sublimely creepy that it’s easy to forgive its ultimate silliness. An assured throwback.
Tagged: Horror, Reviews, The House of the Devil, Ti West, Twitter, Twitter Reviews
Twitter Review: Up in the Air
The nimble, expert ‘Up in the Air’ only seems to endorse its protagonist’s self-satisfied nihilism, but it fails to deeply pierce his armor.
Tagged: Jason Reitman, Reviews, Twitter, Twitter Reviews, Up in the Air
Twitter Review: The Informant!
‘The Informant!’ imposes a screwball score and exclamation point on a story that’s absurd but rarely funny. Only Damon’s investment engages.
Twitter Review: The Invention of Lying
‘Invention of Lying’ has a simple, resonant premise but is made without rigor. Only intermittent ingenuity saves it from offensive laziness.
Tagged: Comedies, Matthew Robinson, Reviews, Ricky Gervais, , Twitter, Twitter Reviews
Twitter Review: Coraline
Like Selick’s other animations, ‘Coraline’ is merely weird. While imaginative, meticulous, and thematically rich, it’s dull and oddly inert.
Tagged: Animation, Coraline, Henry Selick, Reviews, Twitter, Twitter Reviews
Twitter Review: Battlestar Galactica (2003-9)
Finished Battlestar Galactica. Can I sue Ronald D. Moore to get 3,234 minutes back? Loved the conception and arc; often hated the execution.
Twitter Review: The Hurt Locker
‘Hurt Locker’ overplays its coda but is an intense serial with authenticity and narrative momentum, and the script lets the actors carry it.
Tagged: Dramas, Kathryn Bigelow, Reviews, The Hurt Locker, Twitter, Twitter Reviews, War
Twitter Review: Harvard Beats Yale 29-29
‘Harvard Beats Yale’ ably manages character, context, and Gore/Bush digressions, but it fumbles the game: erratic pacing and odd inclusions.
