Lars von Trier’s Antichrist in 560 characters over four Tweets: descriptive, positive, a turning point, and ultimately (in both the “finally” and “fundamentally” senses of the word) negative:
- ’Antichrist’: Sexually, anatomically, violently graphic; baroque, gothic; the domestic horror of grief succumbs to mayhem; nature is a bitch
- ’Antichrist’: Brave, naked filmmaking, rich in theme, metaphor; painfully intimate with an eye to the universal; authentic, raw performances
- ’Antichrist’: The mundane mistake of shoes on the wrong feet is its most affecting detail, but the indicated mental illness undoes the movie
- ’Antichrist’: Only marginally deniable in its hatred of women, the flesh, therapy; clear insanity undermines attempted resonance; kinda dumb
